Cinema lenses are the most expensive, irreplaceable thing in most kits — and the part most likely to get banged around in transit. Whether you're moving a single Cooke Anamorphic/i Prime between a stage and a location, or shipping a full Angénieux Optimo zoom set to a remote production, the case is what keeps the optics aligned, the mount untouched, and the rear element away from dust.
Innerspace builds custom-fit cases for the entire working cine lens landscape: ARRI Signature Primes and Master Primes, Cooke S4/i, S7/i, Panchro/i Classic, and the Anamorphic/i family, ZEISS Supreme Primes, Master Primes, and CP.3, Angénieux Optimo zooms and EZ-series, Fujinon Premista and Cabrio, Leitz Hugo and Thalia, plus the rehoused vintage and boutique series — TLS Kowa, ZERØ OPTIK Todd-AO, GL Optics, Atlas Orion and Mercury, Hawk V-Lite, Iscorama, and LOMO.
What separates an Innerspace lens case from a generic Pelican with cube foam: every interior is CNC-cut to the exact lens footprint, with separate wells for rods, support brackets, motors, and AKS. Vertical-orientation interiors keep glass element-up, the way rental houses want it. Multi-lens configurations (4-, 6-, 8-hole vertical, plus horizontal layouts for travel) hold a full prime set with the mount caps, support feet, and dust covers all packed inside one shell.
Shell options run from Pelican 1510 carry-on size up through 1620 / 1650 / 1700 ground-shipping cases, Storm IM2500-series Pelican Air, Nanuk 935/945, and Innerspace-built ATA 300 Category 1 flight cases when you need airline-grade construction with the full rigging hardware.
Browsing below — filter by lens series or shell. For multi-unit fleet orders for rental houses, or custom configurations that aren't in catalog, request a quote and we'll engineer to your spec.