A 7" director's monitor and a 24" reference monitor are not the same problem. The first survives on a tripod with a padded sleeve; the second needs a transport case engineered around the panel face, the yoke, the cabling, and the recurring trauma of being loaded into a van every shoot day.
Innerspace builds monitor transport cases for the working on-set monitor lineup: SmallHD Cine 13, Cine 24, Ultra 17, OLED 22, and the 502/503 series; Flanders Scientific DM-220, DM-240, XM310K, and the CM/XMP color-critical monitors; Sony BVM-HX310, PVM-X serieis, and PVM legacy monitors; TVLogic LVM-242W and LQM-241W; Panasonic BT-LH series broadcast monitors; Atomos Sumo, Shogun, Ninja; plus Apple Pro Display XDR and Eizo color-grading displays for finishing rooms.
Build choices that actually matter for monitor cases: face-up vs face-down orientation (face-up isolates the panel surface from any foam contact), yoke-attached vs yoke-removed packing, accessory wells for hoods and sun shades, and cable management compartments deep enough for hardline SDI, BNCs, and power blocks. Innerspace builds all of these as standard custom configurations, and reference-monitor cases get vented hard-shell construction with the dimensions calculated for your exact bezel.
For director's monitors and 1U rack-format video monitors, Pelican 1510, 1535, and 1560 carry-on cases get fitted with foam interiors that hold the panel, hood, sun shade, mounting plate, and battery cables in one travel pack-out. For studio reference monitors and color-critical 24"+ displays, the configurations move to Pelican 1620 / 1650 / 1690, Storm IM2950, or Innerspace ATA 300 builds with rolling wheels and tow handles.
Multi-monitor configurations — pairs of director's monitors with HME comms, twin-monitor cart pack-outs, or 4-up monitor walls — are routine custom builds. Request a configuration.